So I have been nominated by Dirk Manuel on Facebook for the “7 Days 7 Singles from the ’80s” challenge (you can read his selections here). I wouldn’t normally bother but this has been great fun to both read other’s entries and to sift through my single collection again to select my final 7.
I decided I would only choose where I still owned the original 7″ which, regrettably, meant that there’s no Love and Money but has allowed me to spend a fun evening listening to many other, forgotten, records. Some I listened to and thought “why did I buy that?”, others I didn’t even have to listen to think that!
And so to the first selection…
Day 1 (1981): In the Air Tonight – Phil Collins
I was 16, still at school at this point, and had a major Genesis obsession. I remember very clearly sitting on the floor in the lounge at my parents house listening to this with my headphones on.
Music was an area of friction between myself and my parents who always felt I played it too loud. They also objected to my singing along with the headphones on while they were trying to watch the TV!
This was so nearly a number one in the UK for Collins but was kept off the top by the death of John Lennon. But it did introduce the gated drum sound to a much wider audience.
Day 2 (1982): Market Square Heroes – Marillion
I was now 17 and going to college to retake all the O Levels and CSEs I had failed at school. I found the change of environment refreshing and gave me a new lease of life.
As an early Genesis fan I supposed a progression to Marillion was inevitable. They were one of the first bands that I went to see and I still clearly remember Fish jumping through a paper background at the start of the gig. Ever the showman. I still like Marillion and am eagerly awaiting 23rd September for the next release.
When I listened again to the single this week I was surprised as just how raw sounding and under produced it is. Such a refreshing change to the over produced sounds that it was competing against.
Day 3 (1983): What is Love? – Howard Jones
18 and on the cusp of leaving home to go to university (or, to be more accurate, Polytechnic in my case).
I’ve included this selection for a number of reasons:
1. it typifies the 80s sound
2. it’s a great tune
3. we’re all trying so hard to look cool with our selections I thought I would buck the trend!
https://youtu.be/xo_kSBxK5WE
Day 4 (1983): Relax – Frankie goes to Hollywood
Thanks to DJ Mike Reid this became a big hit and set Frankie on a path to success. There was a big fuss at the time but it seems tame now. Actually it was overblown at the time too.
This was another great piece of production by Trevor Horn (who I have written about before). He is pretty versatile as his work from the 80’s shows spanning everything from Dollar to Yes to Buggles to FGTH.
One slightly odd thing is that my copy of the 7′ has the b side label on both sides – wonder if this make is more valuable?
Day 5 (1984): Do they know it’s Christmas? – Band Aid
This, I’ll admit, is not the world’s greatest song but it is here for a number of reasons.
Firstly, it features so many of the biggest names in 80’s music and if you watch the video you will see just how you they look!
Secondly, because it highlighted the plight of those living in the drought of Ethiopia and raised substantial amounts of money through the single and Live Aid…
Thirdly, because I was there. I was 19 and now at University. Emma, my girlfriend at the time, and me were driving home and drove past the Guildhall. I have no idea where we would have been to take us back past there but we did. As we came round the square we noticed people queuing up so we stopped and went over to ask what they were queuing for. “Live Aid” was the response. So we joined the queue and “slept” outside the Guildhall overnight until the box office opened at 10am the next morning.
I remember the 13th July 1985 very clearly mainly because it so hot that there were people at the side of the stadium spraying water into the crowd to cool us down! We saw an amazing lineup of bands and for that reason alone is why Do they know it’s Christmas gets included on this list.
Day 6 (1985): Slave to the Rhythm – Grace Jones
So I rediscovered Grace Jones’ Island Life album again earlier this year and thought how it really hasn’t aged and could chart now. Can’t say that about much else from the 80’s. Of course it’s that big Trevor Horn sound (again). He really does know how to do it right.
The album cover to Island Life has Grace Jones standing wearing not very much, oiled up, arse in the air. I still remember to this day my dad commenting “she’s got a great body”. Which, of course, she has but that’s not something I needed confirming by my father!
At 20 I was still of the belief that to work out how often your parents had had sex you just needed to count your number of siblings and add one. So to hear anything vaguely sexual from my dad was quite shocking.
Day 7 (1986): Don’t Dream it’s Over – Crowded House
And so we reach the end of this music journey with the beginning of my Neil Finn obsession.
At about this time I would have been 21 and on my industrial placement at IBM. This meant more disposable income which went increasingly on CDs and a much better sound system. I still have the same speakers although the rest has gone.
I can’t remember what got me into Crowded House but it was also certainly this track which I still love to this day. For the jangling guitar at the beginning to the lyrics it is just sublime. After this I couldn’t get enough of the Finn’s output. In fact from 1991 to 2001 when, with a single exception, I saw no-one in concert unless they had been in Split Enz at some point! I’m also a member of the fan club but this is decidedly a very grown up affair.
